The abolition for anything real.

It is merely a facade for the things that hold us in a keeping of virtue. 

These are only objects to experience. 

Things to be used and tried upon. 

One is not, however, as it is real. 

Its expansive network of juxtaposing seemingly unrelated subjects to fragmented forms

brings meaning to their colliding visual motifs.

The shadows of unrelated forms show how related we are as things

and each other.